Before we get started on telling you about our fabulous new building, you need to know a little bit about who we are and how we got here. Here goes.
More than 40 years ago Constance Welsh, a drama teacher, director, actress, and visionary, founded Davidson Community Players. Equipped with a theatre arts degree from Carnegie Melon, Welsh was passionate about theatre and wanted to share her passion with her community. With support from Rupert Barber, founder of Davidson College's Department of Theatre, she created an organization that would not only entertain and enlighten but also educate and enrich.
For its first production the company presented "Time of Harvest." That was in July of 1965. For the next 15 years Davidson Community Players would go on to produce such classics as Our Town, The Crucible, You Can't Take it With You, and Who's Afraid of Virginia Woolf? As the company evolved it took on more challenges in terms of plays selected and organization.
When Welsh moved to Charlotte in the early '80s, the company hired its first executive director, Pam Stephenson, and organized an executive board under chair, Max Polley, also a Davidson College professor. From 1982 through 1989, DCP produced 17 plays and applied for and received non-profit status. In addition, it expanded show runs to two weekends per production to accommodate a growing audience.
Fireside readings were established, and in 1985 the first children's play in collaboration with Davidson College's Theatre Department was produced. As the company continued to evolve it began to pay for the services of set designers, stage directors, and technical coordinators as well as the executive director.
Welsh returned to Davidson to direct occasionally, and in 1990, one year before her death, she directed The Rainmaker. Kim Beard served as executive director from 1989 through 1999. During that time, DCP produced its first musical along with 23 other plays including Love Letters, Dearly Departed, The Foreigner, and Neil Simon's hilarious farce titled Rumors, which sold out nearly every performance.
During this time The Connie Company, Davidson Community Players' children's theatre company, was founded to honor the memory of Welsh. Directed by Barber, the Players continued to produce a children's show every year with students from Davidson College. Barber passed away in 2006, and the company dedicated the 2007 season to his memory.
Karen Sorenson took the helm as executive director from 2000 to 2002. In 2002, the Players presented The Sound of Music, its first production in the 600-seat Duke Family Performance Hall at Davidson College, to record crowds. Taking the success of that production into account, the Players hired its first full-time executive director, Cindy Rice, in 2002.
In the past five years the company has experienced tremendous growth under Rice's leadership, as it now produces a four-show season in addition to the Connie Company's January show with Davidson College. During Rice's tenure, the Players established an office on Main Street and hired Melissa Ohlman-Roberge as resident director/production manager of Davidson Community Players and artistic director of The Connie Company.
A well-respected director, Ohlman-Roberge has worked professionally in theatre for more than 25 years and has an MFA from Florida State University. Under her artistic direction, the Davidson Community Players have won numerous accolades, including countless Metrolina Theatre Association awards. In 2006 The Spitfire Grill, a musical under Ohlman-Roberge's direction, won North Carolina's Best Production at AACTFest and went on to compete regionally in Atlanta, Georgia.
The talent and vision of Rice and Ohlman-Roberge, along with a diligent board of directors and a committed group of volunteers have propelled and will continue to propel the Davidson Community Players to new heights. This isn't just an organization that produces plays and sells tickets. It is a family of people young and old who enjoy coming together to make their community a better place by sharing the treasured gift of theatre.